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	artlook #2 | July 2004		SHADES OF MURPHY: The Artistic Director and choreographer of the Sydney Dance Company, Graeme Murphy, took time out to clear his brain hoping it would trigger fresh ideas and new energy. The resulting shades of gray, based on Oscar Wilde’s novel The Picture Of Dorian Gray, certainly did that, and more. By Kathleen Fisher  more WHY I WRITE WHAT I WRITE: Glenda Guest asked four Canberra Writers Why They Write And Why They Write What They Write  more EMBRACING THE CURVE: Curve, Craft ACT’s accredited professional member’s exhibition, was conceived as an embracing curatorial theme to successfully link the diverse works of Canberra’s most prominent crafts people. By Anne McMahon  more WELCOME TO THE LAND OF DREAMS: Irma Gold spoke to internationally-acclaimed Director Compagnie Philippe Genty about how he makes poetry on stage  more UBU ROI: By Alfred Jarry, Directed by Barb Barnet, Street Theatre, 21 – 24 July   more FUTURE MEMORY: National Library Recent Acquisitions 27 May – 1 August  more WITHIN AND WITHOUT THE PORTRAIT: Philippa Kelly talks to Andrew Sayers, Director of the National Portrait Gallery, about why artists choose to paint themselves and the gallery’s latest exhibition, To Look Within: Self Portraits In Australia  more NOT JUST FOOTY: Written by George Huitker, Directed by Walter Learning, Theatre 3, 30 June- 8 July  more ELEPHANT : Directed by: Gus Vant Sant Produced by: Dany Wolf Electric Shadows   more DANCE, DANCE MY HEART WITH JOY!: Pianist David Ward The Wesley Music Centre 28 July   more THE BAR AT BUENA VISTA : Canberra Theatre, June 28h   more JUMPING OUT OF CARS : by Kathleen Bleakley and Andrea Gawthorne, Ginninderra Press  more COLUMNS. THEATRE: An invigorating experience  more COLUMNS. INDIGENOUS ART: Expressing Indigenous culture  more COLUMNS. MUSIC: What is music for?  more COLUMNS. MUSIC: The other boy from oz  more COLUMNS. VISUAL ART: Sleeper  more COLUMNS. DANCE: Repertoire  more COLUMNS. LITERATURE: A festival of writers  more COLUMNS. FOOD & WINE: Gastro-tourist  more COLUMNS. FILM: Since when did the truth become fashionable?  more